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We believe that a company that operates with innovative technologies has a duty to disclose the impact of artificial intelligence on its processes.Artificial intelligence is evolving at incredible speed, offering greater power and support capabilities every day in a wide variety of disciplines; We believe it is useful and necessary for clients to be fully aware of the role and implications of AI in our business.We believe that during the 3D acquisition and mesh generation phases, every technological evolution should be explored and integrated into our processes.Similarly, we believe there should be no AI support during the digital modeling and artistic material phases, based on a fundamental principle:AI acquires know-how from the infinite amount of information available on the web, producing a result that is not creative, but simply efficient and effective. To better understand this point, imagine the work of an architect... Thanks to AI, they will have an infinite series of well-integrated proposals, divided by style, for the entire interior design of a home to offer their clients, saving time and achieving excellent results. The impact on the market will be an immediate increase in the "average" quality of projects by "average" architects, those who benefit greatly from AI because they are not inherently innovative. For great architects, the principle is the opposite. It is AI that acquires new concepts from the projects of Renzo Piano, Norman Foster, or Frank Gehry, which it will use to feed and implement its own database of proposals; it will be nourished by pure creative intuition... something AI could never possess.Similarly, VYRGO does not rely on an anthropomorphic robot and good AI hardware to optimize the shapes and volumes of a face, to define the tension of a muscle or a crease in the neck, to emphasize the expressiveness of a gaze, or to generate elements that are difficult for acquisition systems, such as hairstyles, beards, moustaches, jewelry, or complex clothing elements. The sculptor's creativity, the uniqueness of his intuition, interprets these forms and sculpts them in relation to the outside world, to light and shadow, to the nature of iridescent marble, changeable and unpredictable for every millimeter of stone carved and subtracted from the work's form.The artist generates the new, that which is not already, that which AI does not yet know.

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