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Apuan Alps

The Apuan Alps open up in blinding marble wounds, monumental stairways to the sky that seem sculpted by giants to house the gods.

A kingdom of dust and silence, a vertical desert of eternal snow where the stone still vibrates with the genius of Michelangelo.

White Carrara Statuario

Statuario marble is an extremely prized and sought-after stone variety, considered the most precious and luxurious. 

 

Vyrgo extracts this marble directly from Cava Michelangelo, undoubtedly the most famous quarry in the world. 

Like the much more famous Carrara marble, it is distinguished by its rarity. In fact, only 5% of the material quarried in that area can be classified as Statuario. 

Statuario is, in effect, a variant of Carrara marble. It takes this name when its background is a particularly intense and brilliant white, often with almost no or medium-wide gray veining. 

Its color is the result of the sedimentation and compression of minerals over millions of years. The predominant white is due to the significant presence of calcite, while the gray veining is generally caused by impurities such as mica. Although gray veins are rare, often resulting in purely white blocks, golden streaks are much rarer. These may be due to inclusions of pyrite or similar metal fragments. The distribution and intensity of the veins vary greatly between blocks, making each surface unique. 

The name "Statuario" has a very specific origin: throughout history, it has been the material of choice for the most famous sculptors for the creation of majestic figures and monumental statues. 

Its luster and compact structure make it perfect for chiselling. 

Artists such as Michelangelo and Canova were well acquainted with and engaged with this prized variant.

Among the most famous works created in Statuario marble are Michelangelo Buonarroti's David, Antonio Canova's Three Graces, and the sculptural group of Laocoön and His Sons (a Roman copy). It has been used in sculpture since Roman times.

Today, white Statuario marble is the most sought-after material not only by sculptors around the world, but also by architects and designers for a wide variety of projects.

Calacatta Michelangelo

Calacatta marble is an Italian excellence, one of the most prestigious and sought-after types of marble in the world. 

Its name has become a guarantee of quality. 

 

Calacatta marble originates from the Apuan Alps; its availability in the Michelangelo Quarry is limited and inconsistent; therefore, it is not possible to guarantee its constant availability. 

 

It is characterized by a bright white base, with accentuated veining that makes it a very vivid material. 

 

The veining is its distinctive feature and defines its quality. It is a fine-grained marble. Despite its delicate appearance, it is a compact, durable, and highly resistant marble, ideal for any design project. It is distinguished by its remarkable resistance to wear. 

Calacatta is often associated with white statuary marble, but it is distinguished by its dynamic background and more pronounced veining, while white statuary marble has a white-gray color with nuanced veining. 

The distinction between one type and another is not always easy to define. 

 

The variety of Calacatta veining gives rise to different types: 

  •  Calacatta Oro; the most sought-after marble features golden yellow veining on a luminous white background. The veining can also include gray undertones. 

  • Calacatta Apuano: A prized white marble with delicate gray veining, prized for use in sculpture. 

  • Calacatta Michelangelo: Historically favored for statues and sculptures due to the excellent technical characteristics of its grain, it features gray and gold veining on a white background. 

  • Calacatta Viola: Characterized by purple or lavender/purple veining on a white background. 

 

Along with the white statuary of Carrara, Calacatta was made famous by the artistic legacy of sculptors such as Michelangelo and Donatello. 

 

Michelangelo Buonarroti is the artist most closely associated with the meticulous selection of high-quality marble from the Carrara quarries.

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VYRGO is a registered trademark of: FirenzeH4 srl | Via Pratese, 76 | 51100 | Pistoia | Italy 

VAT registration number: 01836830479

Tel. +39 05731794772

Cell. +39 3474925554

Whatsapp +39 3474925554

 

Mail: info@vyrgo.it

 

Web: www.vyrgo.it

AI

Ai Transparency

We believe that a company that operates with innovative technologies has a duty to disclose the impact of artificial intelligence on its processes.Artificial intelligence is evolving at incredible speed, offering greater power and support capabilities every day in a wide variety of disciplines; We believe it is useful and necessary for clients to be fully aware of the role and implications of AI in our business.We believe that during the 3D acquisition and mesh generation phases, every technological evolution should be explored and integrated into our processes.Similarly, we believe there should be no AI support during the digital modeling and artistic material phases, based on a fundamental principle:AI acquires know-how from the infinite amount of information available on the web, producing a result that is not creative, but simply efficient and effective. To better understand this point, imagine the work of an architect... Thanks to AI, they will have an infinite series of well-integrated proposals, divided by style, for the entire interior design of a home to offer their clients, saving time and achieving excellent results. The impact on the market will be an immediate increase in the "average" quality of projects by "average" architects, those who benefit greatly from AI because they are not inherently innovative. For great architects, the principle is the opposite. It is AI that acquires new concepts from the projects of Renzo Piano, Norman Foster, or Frank Gehry, which it will use to feed and implement its own database of proposals; it will be nourished by pure creative intuition... something AI could never possess.Similarly, VYRGO does not rely on an anthropomorphic robot and good AI hardware to optimize the shapes and volumes of a face, to define the tension of a muscle or a crease in the neck, to emphasize the expressiveness of a gaze, or to generate elements that are difficult for acquisition systems, such as hairstyles, beards, moustaches, jewelry, or complex clothing elements. The sculptor's creativity, the uniqueness of his intuition, interprets these forms and sculpts them in relation to the outside world, to light and shadow, to the nature of iridescent marble, changeable and unpredictable for every millimeter of stone carved and subtracted from the work's form.The artist generates the new, that which is not already, that which AI does not yet know.

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